The World According to New Orleans

An excellent first trip to Marfa, Texas has spawned this review of the show The World According to New Orleans curated by Dan Cameron at Ballroom, Marfa. The review is here at …might be good online journal, Issue #169: Nutrients to the Cultural Soil.


The Way Home, Dawn Dedeaux, 2008

Visible Evidence 18

This August I will present my orphan photo archive project The Family Analog at the Visible Evidence 18 conference hosted by NYU, along with some musings about late 20th century theory on photographic archives vs. ideas on instantaneous online archives or image commons, contemporary “system(s) of accumulation, historicity and disappearance…,” the uncanny, semantic categorization, searching, sorting and filtering.

Art & Pedagogy

This semester I have been teaching a fun meta-class, Teaching Practicum, at Brooklyn College for MFA students in the PIMA program (Performance and Interactive Media Art). In addition to practical aspects of teaching and great learning sessions in which they each teach one section of their classes, we have been exploring some of the many recent projects in art and pedagogy, experimental and/or free schools run by artists and reading essays from Curating and the Pedagogical Turn and Art School: Propositions for the 21st Century, as well as some radical educational theory like Ranciere’s The Ignorant Schoolmaster and Paolo Freire’s Pedagogy of the Oppressed.

This week we had a visiting artist, Mary Walling Blackburn (http://welcomedoubleagent.com/), who shared some of her amazing projects exploring alternate strategies for disseminating knowledge, intimate interactions, subjective cultural resistance and a multidisciplinary mytho-socio-political excavation of space and place, among other things. These included the Feminist Read-A-Thon / Anhoek School, Radical Citizenship: The Tutorials, Dormitory in June, Iran, The Little Heavy Ones, Bad Dreams as Border Songs—a piece for Trade School in which she collected dreams from people living in Redford, Texas to disseminate in other places, as songs sung into the ears of willing participants—and her upcoming project for Bard College, Library In (the Land of Fuck). Very inspiring. Thanks Mary!

Hubbard/Birchler

My review of the Hubbard/Birchler show at Tanya Bonakdar gallery is up here, in issue #162: Between Perverse Meaning and Nonsense of the excellent online journal …might be good based in Austin, Texas.


Méliès,Teresa HUBBARD / Alexander BIRCHLER, 2011

Essay on the High Line

My essay on NYC’s High Line, “The Highline: Monument to Modern Ruin,” is out in the September/October issue of Afterimage.